Interference

Interference explores the unstable boundary between perception and reality, between what is seen and what is sensed.
At the center of the work appears a vertical rupture that seems to divide the image into two parts. Yet the incision is not physical. It exists only as a painted gesture, an illusion embedded within the surface itself. The image presents a fracture while the canvas remains intact.
The work is accompanied by a subtle sound composition accessible through headphones. Within intervals of near silence, the viewer hears the restrained cracking and tearing of stretched canvas fibres. The sound suggests a material event that never actually occurred, while the image presents a wound that does not exist.
Through this deliberate displacement between visual and auditory perception, Interference questions the reliability of sensory experience and the ways meaning is constructed. The work reflects an ongoing interest in memory, consciousness, and the threshold between inner experience and external reality.
Rather than offering a fixed narrative, the painting invites the viewer into a state of uncertainty, where presence and absence, illusion and materiality, coexist. Meaning emerges not from what is shown alone, but from the tension between what is seen, what is heard, and what is imagined.