This painting investigates how the mind constructs images and interprets visual information, through a circular arrangement of six heads. Each head contains a few incomplete faces, creating shifting identities and fragmented expressions. The composition is designed to be viewed in 4 different orientations, rotating the painting by 90 degrees each time. These 4 orientations are called ‘seasons’ here. While the same six heads remain present in every position, upright, sideways, and inverted faces are perceived with different levels of clarity and detail. The work reflects how consciousness relies on familiar visual patterns and learned templates when recognizing human features. It looks like the mind, when recognizing details, finds it easier to use pre-established templates and analyze deviations from those templates than to identify individual unique features and construct an image from them. And it seems to have far fewer suitable templates for inverted faces than for normal ones.