The wind bloweth where it listeth

What begins as something natural gradually becomes something almost supernatural — suspended between memory, artifact, and simulation.

The work moves through three states: physical reality, digital transformation, and physical return.
Organic forms are removed from their natural environment, photographed, scanned, distorted, and reconstructed within computational space before being returned to the physical world as printed objects.

The flowers appear at the peak of their vitality — luminous, saturated, and alive — before inevitably fading and decaying.
The work explores the cyclical nature of life, death, and renewal, alongside a desire to preserve a fleeting moment at its climax: to extract it from time and permanently imprint it.

*This work is presented as a limited edition of 10*