Tan Wen Wu is a Taipei-based multidisciplinary artist and educator holding an MSc (Master of Science) from the University of Edinburgh. Her artistic language is uniquely shaped by a dual foundation in rigorous scientific inquiry and inherited aesthetics: her background in Forestry provides a rational, ecological lens for understanding biological structures, while her family heritage—rooted in her mother’s license in Japanese Ikebana—informed her early perception of botanical order and the art of intentional composition. This cross-disciplinary trajectory led to the development of her core creative framework: "Psychological Botany." Wu integrates botanical resilience with the neurological theory of "Memory Reconsolidation," investigating the architecture of human psychological defense mechanisms. In her practice, she specifically utilizes the deliberate layering and deep luminosity of oil paint to simulate the brain's dynamic process of overwriting, retrieving, and reconstructing memories. Through this slow, meditative buildup of pigment, she translates defensive botanical structures—such as aerial roots and thorny extremities—into visible manifestations of emotional survival. Beyond her studio practice, Wu is a prominent social practitioner. As the founder of the "Si-Chuang" educational platform, a TEDx curator, and a featured speaker at the Taiwan Women’s Influence Forum, she is dedicated to building "resilient bridges" for social resources. In her Some things grow unseen series, Wu utilizes the profound textures of oil media to capture the fragile yet enduring contours of life caught between social constraints and self-protection. For Wu, art serves as the ultimate intersection where the rationality of forest ecology meets the sensitive cartography of the human psyche.